I am the hero of warfare
and a true hero of the erotic.
I sing the sounds found in no book.
I am the cock-a-doodle-do.
I am a force of nature, an industrious lover.
I am the song of life.
I am, I am, I am, and I do. Listen for me. Oh,
listen to me. I do not listen to you.
I do not listen to you.
Its voice, a clattering of bills.
We traced the sweep of its wings.
We could see, in the rookery of the storks,
in colonies of pelican and of crane,
in the short flight of parent after parent
to their chicks, outflying the night,
how these birds, so starkly ungainly on land,
can hold up such beauty in the air.
I am an animal, too, because I am you.
Do you have feelings for me?
You must have feelings for me.
Because I am you. I am you, too.
I am the horse of the deep purple,
I am the horse sense of your flesh.
Can you feel my unshod hooves?
I can feel your hand calming me.
Oh, hear me whinny and neigh.
Shall I live inside you all day?
Am I not real if I feel what you feel?
You have your plow horses, your thoroughbreds.
Why, then, are there sawhorses?
Why are there gift horses,
if not to enlarge the bestiary?
Confess that you gave birth to me.
I am a tiny piece of your bad luck.
I am alive within you. Call me Chuck.
The spirit of your forefathers is in me,
walking alone in the unframed cold,
a bit seen but, in the main, this unseen me.
I have not seen the beauty that you see.
I have not seen your love or care of me.
If ever you truly see me, you will draw
me ever larger. I patrol the very top
of a dying planet. I am not eternal.
I am dying, because I am not you.
Because I am me.
We gave you a wing bone
that bore five holes for your breath.
Oh, if you would sing of life,
let it be of life and death.
We who eat carrion,
who eat the carcasses of buffalo,
and of stork and peacock,
we who dine on raw leftovers,
we are fit to make music, too.
Oh, sing of it. Celebrate the one
who will be there when you need me.
I'll be there. I'll be there,
who will be there when you need me.
When life is over, I'll be there, I'll be there.
Fanned out, the peacock has eyes that do not see.
It tiptoes inside a shimmer. In an iridescence.
Regal dragons who scream,
they also squeak and bray.
Their terrible beauty gives them away.
Listen how they muster loudly.
They blare like taxis.
They attack like trombones.
They squawk. They screech. They strut.
They are land lovers but can fly.
They have a sound for whatever they feel.
While you were banding the egrets,
and while you were tracking the shark out to sea,
and training the dolphin to kiss you,
and queuing the lions to act,
and the seals to juggle,
we cried out, all on our own:
peacocks! peacocks! peacocks!
Inside each of us was a person, shrieking.
Inside each of us was the beauty
we unfolded in feathers.
Do you like the queenly apparitions that we are?
Do you like the kingly apparitions that we are?
Do we not make your world more beautiful?
And does our beauty not terrify you?
We have more than one effect on you.
We have two.
And while you were listening to the whale,
and while you were teaching
the chimpanzee to speak,
and training the parrot to ape you,
and running the horse in a circle,
and the rat in a maze,
we cried out, all on our own:
peacocks! peacocks! peacocks!
Inside each of us was a person, shrieking.
Inside each of us was the beauty
we unfolded in feathers.
like the rooster, like the buffalo,
like the horse, the stork, the camel,
like the high vultures you fear,
we are near. And we are talking, too.
We are talking, each of us talking, to you, to you.
Yes, we are talking to you.
We are talking, yes, we are talking to you.
To you, we are talking to you.
Written during the summer of 2009, The Animals is a cycle of nine songs written and dedicated to Stephen Swanson, who premiered them in
October of that year. Poet Marvin Bell created the texts specifically for this cycle. The work not only takes inspiration from the Ravel
and Poulenc animal songs, but is also rooted in the American tradition: Gershwin's Tin Pan Alley, and more recently the songs of
William Bolcom.